Trouble
Amazon.com
Some singer/songwriters (think Paul Westerberg and Elliott Smith) develop their world-weariness through the unforgiving trials of passing years and the heart-breaking grind of the music business. Others (Van Morrison, Neil Young) seem to have sprung from out of nowhere with the fully formed soul of a life well-lived. Ray LaMontagne belongs with the latter. On this, his debut, LaMontagne has crafted a handful of quietly devastating meditations on life and love–and delivered them with a raspy vocal all his own. The simple, mournful lyrics of “Burn,” “Shelter” and the title track recall a Hank Williams ballad, and the reserved production by alt-country/americana genius Ethan Johns (the Jayhawks, Ryan Adams, Kings of Leon)… More >>
Price: $7.70
Rating: 4.5 (213 reviews)
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I never heard of R. Lamontagne
before I was buying a Gatemouth
cd and Amazon pushed his cd with
5 star reviews, so I said maybe
another wonderful musician I missed.
No, he’s not. All the songs are
slow, boring, whiney, nasally
sung tributes to Satan and Evil,
masquerading as blues.
Satan is on the jacket, in the
blurb inside, and in songs
as the hero. At least Robert
Johnson got some talent for his soul,
Ray got Nuttin. Avoid this
10 song lemon.
Rating: 1 / 5
I did not end up receiving my order although I did receive a refund. I would not order from this seller again.
Rating: 1 / 5
a nice display of “white” soul-ish, dirty folk-r/b pop. it doesn’t seem to me that he’s van morrison at all, more like the band, and he sounds like ryan adams (he’s wonder-full!!!). he’s got an interesting story, kind of helps his media marketing.. worth picking up but not that incredible.
Rating: 3 / 5
Ray LaMontagne is not a genius. `Trouble’ is, however, a reasonably good debut album. His music is listenable, but it is the same sound for ten tracks. By itself, any song on the album seems compelling, but when listened to in its entirety, the record betrays LaMontagne’s limitations as a songwriter. Hopefully he will grow in this respect, because at this point his lyrics are pretty trite and the structure of his songs is monotonous. His voice is gravelly and soulful, but at times the soulfulness recalls Michael Bolton more than Otis Redding.
The album’s earthy quality (including the faded cover art) is also quite contrived; it is the musical equivalent of Starbucks. If you aren’t too discerning, you may forget that this is a major label album. In spite of the almost incessant airplay on Seattle’s KEXP, hipsters should proceed with caution. Any resemblance this album has to indie rock is purely coincidental; LaMontagne has more in common with Ben Harper than Daniel Johnston. If you’re into Bongo drums and doobies, then I guess that’s fine, but I think LaMontagne’s music is only gonna get more VH-1 as time goes by. If you’re in your thirties and want some innocuous background music for when you invite your advanced degree holding friends over for dinner or if you’re in your twenties and have a North Face fleece and say `sweet’ all the time, then this is probably the album for you. However, the record is not breaking new ground in any area, the songwriting is mediocre, and the vocals, lyrics, and music are all calculated.
Sam Beam (aka Iron and Wine) gets my vote for the most important singer-songwriter to emerge in the past five years. I want to like Ray LaMontagne, but his album is flawed in too many ways, and there is little indication that future work will be an improvement.
Rating: 3 / 5
Just got the CD today in the mail. Rushed to work and popped it in the office player. Within minutes all the laughing people were depressed and the sun just wasn’t shining as brightly as before. A true downer.
Rating: 2 / 5